[quote] It’s funny. People complain about commercialisation. It’s like “We can’t make a living from our music because nobody likes it”. And then all of a sudden it’s no good because everybody likes it. What are you going to do? Stick to your guns and just enjoy it. And if you’re true to it and it’s real it will last through commercialism, in and out, whether it’s underground or whatever. Good stuff survives.

[quote]If digital DJing carries on like this, you may just push some buttons and it all unfolds.

Yeah, you just plug something into your head, you have some file with every record ever made, and you plug in somehow and your thoughts just project your vision and interpretation of every record ever produced. I think that’s a problem with this kind of Serato thing. I own 30000 titles, at least. Now if I had 30000 titles on my Serato I would never be able to choose the next record. I’d be like, “Hmmm, well maybe…hmmm, don’t know”, and then that one runs out. And it’s like “Shit!” So I carry a hundred records and maybe some CDs with stuff that isn’t on vinyl. Limitation is the mother of creativity. To have less selection actually forces you to select better. So now in my record bag every record is amazing. And I could pretty much randomly pick one out, and that would be a great record. Because I can’t carry 500 average records or ones that maybe I’ll get the chance to play this one. I have to actually carry that stuff around, so all records in my bag are good records and I just have to get them in the right order.

Harvey staat op eenzame hoogte de man heeft zoveel kennis van muziek, vooral jaren 60 , 70 fusion krautrock psychedelic cosmic disco
De massa heeft Mr. Bassett nu ook bereikt hij geniet met volle teugen van die histery.
Harvey is sarcasme ten top zijn edits rond 94 staan en stijf van.

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